| Gossip columnist
                wakes up at 2:30 A.M. in fever-induced delirium, turns into cineaste for half an hour
 by Charles
                Yannopoulos
 I've read the
                biographies of Alfred Hitchcock, the ones that
                said he was a ghoul, a prude, or a petulant
                childish cur who ingested wormwood with his food
                and was as interested in how to make a batter as
                in the proper use of reverse track shots. But I've never
                had much use for academic parsing of cinema
                technique or the devious ways of anti-hagiography. 
                Truth to tell, I just admire eccentric Englishmen. If they paint
                their King Charles Spaniels' nails bright red or
                plant a sausage in a ripe-smelling seed bed, that's
                fine with me.  If they read the Times with
                their morning coffee and then retire to
                their drawing room to extract pebbles from their
                car's front tires that's swell.  And if they
                favor tweed with afternoon tea but leather with
                after dinner liquors, well, that's piquant,
                and Americans are tickled by impracticality, by
                the whiff of mild insanity. That's why, I
                submit, the Royal Family retains its fascination. 
                It's not due to the way they keep us in suspense
                about which organic farms will win their
                patronage. Rather, it's in the whys and
                wherefores of the royal dogs, how they're taught
                to sing anthems on key, while taking care to hide
                their canines lest they offend a toff who was
                once nipped. But, back to
                Hitchcock.  He left England in 1940, so he
                was really a hybrid case. Reading between the
                lines, Lew Wasserman at Universal suggested
                Alfred Hitchcock Presents (the t.v show), made
                him rich, and gradually something snapped. 
                Maybe it was all those prize beef steer he owned,
                or the Vlaminck paintings on the wall.  Too
                muchness can be damaging to the soul.  After 1964,
                especially, things went sour.  The
                conventional narrative says that he had the hots
                for Tippi Hedren, made a crude advance, and she
                recoiled, calling him a fat pig no less. 
                It's just a hunch, but I'd suggest an alternative
                reading of the facts.  It was no libidinous
                surge that did him in.  More accurately
                expressed, it was a surfeit of self-confidence.  In America, he
                became accustomed to being recognized, to being
                feted for his accent, for his delivery, and even
                for his frame, and I suspect that, in the end, he
                just thought that he was Cary Grant. |